BOOK CHAPTERS
Jools Gilson. (2023) ‘Navigation, Nuance and half/angel’s Knitting Map: A Series of Navigational Directions …‘ The Textile Reader – 2nd Ed. Jessica Hemmings (Ed). London & New York: Bloomsbury, pp. 312 – 325.
Jools Gilson. (2021) ‘The Rain Box: Raining on the Radio and Other Stories.’ Metaphor, Sustainability, Transformation: Transdisciplinary Perspectives. Hughes. I., Byrne E., Mullally G. Sage C. (Eds.) London & New York: Routledge.
Jools Gilson. (2019) ‘Navigation, Nuance and half/angel’s Knitting Map: A Series of Navigational Directions . . .’ in Gilson J. & Moffat N. (eds.) Textiles Community & Controversy: The Knitting Map. London & New York: Bloomsbury, pp. 1 – 48.
Jools Gilson. (2019) ‘Afterword.’ in Gilson J. & Moffat N. (eds.) Textiles Community & Controversy: The Knitting Map. London & New York: Bloomsbury, pp. 182 – 184.
Jools Gilson. (2018) ‘The Kenning.‘ In McGrath A. & Meehan, E. (eds.) Dance Matters in Ireland: Contemporary Dance Performance and Practice. London: Palgrave Macmillan, pp. 191 – 200.
Jools Gilson, Bernadette Cronin & Roisin O’Gorman (2015) ‘Somaticatica: Embodied Adventures in and out of the Irish Countryside.‘ In Alexander, K, Garrett Brown, N. & Whatley, S (eds). Attending to movement: Somatic perspectives on living in this world. Axminster, UK: Triarchy Press, pp. 105-120
Jools Gilson (2013) ‘Listening to the Undertow.‘ In: Pearce, Lucy H. (ed). The Rainbow Way: Cultivating Creativity in the Midst of Motherhood. London: Soul Rocks, pp. 234-5
Jools Gilson-Ellis (with Richard Povall) (2004) ‘halving angels: technology’s poem‘ In: Carver, Gavin & Beardon, Colin (eds). New Visions in Performance: The Impact of Digital Technologies. London & New York: Routledge, pp. 55 – 68.
Jools Gilson-Ellis (2003) ‘Speaking and Dancing at the Same Time: An Interview with Jools Gilson-Ellis‘ In Theodores, Diana (ed.) Dancing on The Edge of Europe: Irish Choreographers in Conversation. Cork, Ireland: Institute for Choreography & Dance, pp. 138 – 147.
Jools Gilson-Ellis (2003) ‘Mouth Ghosts: The Taste of the Os-Text‘ In: Jane de Gay & Lizbeth Goodman (eds). Languages of Theatre Shaped by Women. Bristol: Intellect, pp. 153 – 175.
Jools Gilson-Ellis (2002) ‘Loa & Behold: Voice Ghosts in the New Technoculture‘ In: Colin Beardon & Lone Malmborg (eds). Digital Creativity: A Reader. Oxford & New York: Taylor & Francis, pp. 229 – 240
Jools Gilson-Ellis (1998) ‘Get Your Feminism Off My Floppy: Seedy Roms and Technical Tales‘ In Rapi, Nina & Chowdhry (eds.) Acts of Passion: Sexuality, Gender and Performance. London & New York: Routledge, pp. 95 – 109
PEER REVIEWED JOURNALS
Fionna Barber & Jools Gilson (2023) ‘Stormy Weather: Textile Art, Water and Climate Emergency.’ Textile: Journal of Cloth & Culture.
Jools Gilson (2022) ‘Knitting Close to the Edge.’ Textile: Journal of Cloth & Culture.
Jools Gilson (2017) ‘Writing & Experiment: The Video Essay as Creative Practice‘. The Cine Files: A Scholarly Journal of Cinema Studies. 11 Online.
Jools Gilson & Vittorio Bufacchi (2016) ‘The Ripples of Violence‘. Feminist Review, (112): 27 – 40.
Jools Gilson (2012) ‘Navigation, Nuance and half/angel’s Knitting Map: A Series of Navigational Directions . .‘. Performance Research, 17 (1): 9 – 20.
Jools Gilson-Ellis & Deborah Barkun (2007) ‘Orienteering with Double Moss: The Cartographies of half/angel’s The Knitting Map‘. International Journal of Performance Arts & Digital Media, 3 (2): 183 – 195.
Jools Gilson-Ellis (2004) ‘Listening Differently: The Croon Collaboration‘. Modern Drama, 47 (4): 701 – 720.
Jools Gilson-Ellis (2001) ‘Loa and Behold: Voice Ghosts in the New Technoculture‘. Digital Creativity, 12(2): 77 – 88.
Jools Gilson-Ellis (2001) ‘Uneasy fictions (‘Ten Thousand Steps’ performed by the Daghdha-Dance-Company in Limerick)’. Rna-A Publication of The Rna Society, 17:36-38.
Jools Gilson-Ellis (1998) ‘Get Your Feminism Off My Floppy: Seedy Roms and Technical Tales‘. Journal of Lesbian Studies, 2 (2/3): 95 – 109.
Jools Gilson-Ellis (1996) ‘New Women Performance Writers: Rose English and Holly Hughes‘. Journal of Gender Studies, 5 (2): 201 – 210.
Jools Gilson-Ellis (1996) ‘Say Just You Mean‘. The Drama Review, Spring 1996: 173-177.
CONFERENCE PUBLICATIONS
Jools Gilson & Sebastian Adams (2020). Drench: Raining on the radio and other stories, Proceedings of CARPA 6, University of the Arts, Helsinki, Finland
Jools Gilson-Ellis & Deborah Barkun (2011) ‘Choreographed Cartography: Translation, Feminized Labor and Digital Literacy in half/angel’s The Knitting Map’. Textile Society of America Symposium Proceedings, Digital Commons @ University of Nebraska, Lincoln,
Jools Gilson-Ellis (2000) ‘Girling Troubled Spaces: Choreography, Writing and BigEye’. In: William A. Smith. (ed). International Dance & Technology 1999, Lethbridge AB & Columbus OH: Fullhouse, pp. 26-29.
Jools Gilson-Ellis (1995) ‘Text and the Dancing Body: Rose English and Laurie Anderson’. In: Adshead-Lansdale, Janet (ed). Border Tensions: Dance and Discourse, Guildford: University of Surrey Press, pp.125-133.
Jools Gilson-Ellis (1995) ‘Difficult Joys’. In: Adshead-Lansdale, Janet (ed). Border Tensions: Dance and Discourse, Guildford: University of Surrey Press, pp.373 – 374.
OPEN EDUCATIONAL RESOURCES
Jools Gilson & Inês Bento Coelho (2021) ‘Artistic Doctorate Resources.’ Visioning the Future: Artistic Doctorates in Ireland. National Forum for the Enhancement of Teaching and Learning in Higher Education.